MLAG 2027 Pre-Gathering Classes
MLAG will again present three Pre-Gathering workshops in 2027
Though the Gathering proper does not begin until Wednesday, June 9, 2027, three Pre-MLAG workshops will provide some wonderful options for early arrivals. The workshops will cost $130 per person. After registration opens in October of 2026, you may register on-line for these workshops choosing the Pre-Gathering Class Only Ticket option under the Tickets drop down menu or include a Pre-Gathering class as part of your registration for the Gathering proper. If you need assistance with registration, please call our hot line. As usual, we will be limiting the maximum number of students in each workshop to 20 students so, if you’re considering taking one of these workshops, you should register as soon as you can.
The workshops will be conducted in three 3-hour sessions beginning at 9 am on Tuesday, June 10, 2027 in classrooms at Shippensburg University. You will be notified of the details prior to arrival. If you register for a hotel room, your meals are all provided; otherwise, you will need to bring your lunch or purchase lunch in the dining hall.
These workshops provide a great opportunity for some hands-on training with three of the best autoharp players and teachers in the world.
2027 Pre-Gathering Class Descriptions and Schedule
Pre-MLAG Workshops
Tuesday 9-12 & 1:30-4:30 • Wednesday 9-12
Lucille Reilly - Beginning Autoharp
Autoharp from the Bottom Up
This class is designed for new players and those who have been playing a short time and are in need of guidance. However, seasoned players who see a need to “start over” and revise cumbersome habits blocking their progress are welcome, too.
All the skills you need to play the autoharp rock-solid, on your own and with your music-making friends, will be taught from the very beginning, step by step. Once we set up our autoharps for playing (upright and flat-on-the-lap), Lucille will gradually introduce how to stroke, strum, pinch and brush, all with the help of several familiar songs. Related how-tos include: chording by feel; the easy way to play any rhythm; chording by ear; understanding how melody and harmony fit together; developing a touch on the strings that feels easy and sounds great; reducing/eliminating pick noise; rumble strips, recoil and roller coasters; playing like you mean it (because you do!); etc. As always, Lucille welcomes your autoharping questions.
This is your time to expand your music-making horizons by playing a lot to gain as much experience as you can, toward a lifetime of musical enjoyment.
The essential items needed for this class, which you may wish to gather sooner than later, are: a chromatic or GD diatonic autoharp (we will play in G and D major); one flat pick of medium, medium-heavy or heavy thickness (avoid flat picks marked “thin”); three well-fitting finger picks and a secure, sturdy thumb pick. Also, know that a long-belted hip pouch, filled with peanuts in the shell, holds an autoharp upright and stable without arm support, while lap players will gain stability by attaching an adjustable guitar strap to the autoharp that goes around the small of the back. The rest of the materials list (very short) will be sent to class members via email closer to the Gathering.
Ivan Stiles – Intermediate and Up
Winning Performances
One of the most important aspects of playing and performing with the autoharp is developing a unique style. Obviously, what is written down in music and/or tablature is intended to serve only as a guide through the song or tune. It is one person’s way of playing the song, but it isn’t the only way to play the song. Your interpretation of the song is your style; something as unique to you as your fingerprints. This 9-hour workshop will cover choosing, arranging, and polishing songs for performance or entering a contest. We will focus on how to prepare your best songs and tunes by exploring beginnings, endings, filling long passages, turnarounds, melody breaks, key changes, timing changes, and more.
Cindy Harris - Intermediate and Up
Make Room for the Autoharp! Exploring Musical Togetherness
Keys: G, D, A
Join Cindy and her bandmates (fiddle, harmonica, and bass) for an exploration of inter-instrumental relationships and discover a world of fun. The autoharp can do far more in a band than simply strum along — but playing well with others requires a different set of skills than playing solo. In this extended, hands-on workshop, we’ll explore how to make the autoharp an effective, musical, and welcome part of an ensemble.